Archive for the Suffocation Category

Metal Songs That Make Me Lose My Mind (Part 1)

Posted in Absu, avant-garde, black metal, death metal, Drudkh, Equilibrium, folk metal, Mayhem, Suffocation, viking metal with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2010 by GRAMPS Pantheon

Everyone knows the feeling.  You know…that feeling when a song just clicks.  You get a rush of adrenaline, a shiver runs up your spine, and little goose pumplets form on your skin.  From that moment on, that song will always make you want to sprout wings and soar above everything or unsheathe a weapon and lay waste to all evil fiends in your path.  Nearly uncontrollable energy is bursting from the aura surrounding your body.  Well, I personally cherish the moments when a song can elicit these powerful emotions.  Thusly, I present you with a collection of songs that truly make me lose my mind.  (As an aside, I limited it to one song per artist.  I also included the specific time in the song that gets me excited/turned on.)

Absu – The Coming of War

The Sun of Tiphareth is an odd album in the Absu discography.  It marked a departure from the death metal sound of their prior album and early demos in favor of slower, epic black metal.  Immediately after The Sun of Tiphareth, Absu added a thrash element to their albums.  While they were able to execute this black/thrash sound in a most excellent fashion (Tara…holy shit…), the sheer quality of this release makes me wish they would return to the slower sound for at least a song or two.  I’ll always remember Absu playing “The Coming of War” as the finale to their set when I saw them play live.  Despite the sound being utter ASS in that venue, the ridiculously epic riff broke through and made me a fan of this track.  My favorite Absu song?  Perhaps.  “She Cries the Quiet Lake” and “Night Fire Canonization” provide some competition, but it’s definitely up there.

Moment in particular: 2:44-4:13

Suffocation – Effigy of the Forgotten


I don’t gravitate towards death metal all that often.  However, when I’m feeling the need, I usually order up some tech-death.  Suffocation wholly fulfills my tech desires with their seminal Effigy of the Forgotten album.  While the album is full of moments that blow me away, it is the tempo/riff change during the title track that wins out in the end.

Moment in particular: 1:23-1:58

Mayhem – Key to the Storms


Does Ordo Ad Chao stack up to De Mysteriis or Deathcrush?  Many say no, but I wholly disagree. De Mysteriis perfectly captures the atmosphere and the madness of the Norwegian black metal scene and consequently, has been one of the most lauded black metal albums of all time.  Mayhem made the correct decision though and moved forward.  Every consecutive album was an entirely new creation that built upon their established formula and took risks.  And now Ordo Ad Chao, arguably their most disturbing album and the first to feature Attila Csihar since De Mysteriis.  The songs have a raw, improvisational feel that is executed flawlessly.  Whether it be the surprisingly technical drumming, the avant-garde riffs, or the unsettling vocal performance by Atilla, I always find myself consumed by this album’s sound, time and time again.  “Key To The Storms” contains some of the most profound moments of sheer madness and raw emotion that I’ve experienced in any album.  Perhaps some may find Attila’s descent into insanity during the latter half of the track silly.  I do not…  In fact, I find it believable and therefore all the more unnerving.

Moment In particular: 1:57-end

Equilibrium -Des Sängers Fluch

While Equilibrium’s first album Turis Fratyr maintained a delicate balance between creating epic melodies and crafting a beautiful atmosphere, Sagas focused way too much on usurping the already perfect epic vibe of Turis Fratyr.  The result was a whole lot of sugary sweet and familiar folk metal melodies that sounded overblown and consequently, ruined the awesome vibe that could have been created.  That being said, I cannot deny some truly epic moments hidden within.  “Prolog Auf Erden” always sends chills down my spine and the single off the album “Blut Im Auge,” is undeniably catchy.  However “Des Sängers Fluch” is probably the only song on the album that recreates the atmosphere of their first album.  Brilliantly paced, the song takes its time building up to the various explosive, high-energy moments.  And, oh my…they are beautiful.

Moments in particular: 3:37-4:36, 7:08-end

Drudkh – Sunwheel

I believe an explanation of my recurring fantasy with Drudkh will help explain my love for this song.  Whenever listening to Autumn Aurora, Drudkh’s second full-length, I imagine myself experiencing them live in concert.  I’m standing near the stage outdoors, the band and the crowd is surrounded by nature, the skies are grey but sunlight is shining through a hole in the clouds, there is a light rain and the air is warm.  Let me tell you…If I were to experience this in real life, my body would cease to function because of the overload of positive stimulus.  To have the full effect though, they would have to be playing “Sunwheel,” my favorite track off Autumn Aurora.  The riff that breaks through about a quarter of the way though, as well as the ensuing guitar solo, are legendary.  These evoke a feeling of pride and happiness in me that is insurmountable.

Moment in particular: 2:29 – 4:03

Stay tuned for parts 2 and 3.  Coming soon!

-Max

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